A chaplain visits Meursault against his wishes, only to be greeted by Meursault’s intense atheistic and nihilistic views. First, Meursault loves life: he loves the beach, water, sun, and sex. Meursault gets his chance to respond and the judge is glad to hear that he has a defense. This moment parallels the interrogation of the magistrate and how Meursault just did not know how to respond to why he hesitated before firing the last four shots. Later he meets Marie Cardona, a former typist at his office. The funeral eventually passes with Meursault remembering little of it. I feel that Meursault was judged more on his character than the actual crime. This is equivalent to first degree murder, willful and premeditated.  Meursault was sentenced to death for murder without extenuating circumstances. He shoots the Arab, despite him (the Arab) being innocent of murder, as portrayed in the second example. The two swim, watch a movie together, and return to his apartment to make love. Meursault. In most instances, it is based on a scant few seconds without taking an opportunity to get to know the person. He tries to make certain that Meursault realize the seriousness of this charge of callousness. As he waits for his impending death, he obsesses over the possibility of his appeal being accepted. He never felt guilty because of his actions, so he had become dangerous for society. Asking Meursault if he felt any grief at all during the funeral, the lawyer is distraught when Meursault replies that the question is terribly odd. Yet when pressed to answer why he killed if he did not intend to, Meursault cannot. Eventually, Meursault is found guilty of murder with malice aforethought and is sentenced to death by guillotine. The director says that he was surprised by Meursault’s “calm” during his mother’s funeral. As he awakes Meursault runs into his mother's old friends who give him the impression that they will be watching him during the funeral. He definitely did not deserve the death sentence if that's all they were judging him on. All these examples show that Meursault is forced to fell guilty by society, as he needs to follow the rules of his society to be in it. What reader would have followed Camus down the path But in fact all that Meursault comes to realize is that he is "guilty of a criminal tion is based on the final Gallimard edition, published in 1953, with revisions by the author. It would be inaccurate to assert that he fired the gun. The translation of the Avant-propos is that of Thody (see below, note 9), p. 30. All the imagery and symbols used in the first part of the book show a path to death. Meursault was sent to prison but he did not care much. However, he could not accept his fate easily; he had dreams of escaping prison. Besides, he did not accept to become a Catholic because he did not believe in God. He remembers that Meursault declined to see his mother’s body and did not cry once. Society is guilty of condemning him for being different, for who he is rather than what he has done. Character is difficult to judge. The judge, jury, and prosecutor would have arrived at the right result, if only for the wrong reason. One of the undertaker’s assistants reported that Meursault did not even know how old his mother was. He was sentenced to death. The capital offense committed by Meursault is unreal and absurd. Only Meursault can help himself in this court of law, he says. that he has violated "a natural, not a human law." All he did was to knock it to the ground (Gnanasekaran 84). Meursault uses this phrase when he wants to take leave from his work to attend his mother’s funeral. If Meursault is in fact guilty of murder, and if death is the appropriate penalty, then Camus’s depiction loses much of its force. To me, this is not fair at all. Meursault realizes that the people in the courtroom hate him. He has no regrets; he lives with total freedom. 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